How we became obsessed with the human face
Fay Bound-Alberti’s book argues faces have come to matter too much
By
Reviewing politics
and culture since 1913
Zoë Huxford is a sub-editor at the New Statesman. As such, she knows a little about a lot. zoe.huxford@newstatesman.co.uk
Fay Bound-Alberti’s book argues faces have come to matter too much
By Zoë Huxford
The two deputy leadership candidates have slightly different politics but the same haircut
By Zoë Huxford
For a band that disbanded in 1975, it is glorious to see them get the recognition they deserve
By Zoë Huxford
As swiping wanes, people are searching for connection where it’s always existed: in real life
By Zoë Huxford
The brand known for frumpy blouses and comfortable shoes has reversed its reputation
By Zoë Huxford
Chris Martin and his band have at last been vindicated
By Zoë Huxford
The second series of the Addams Family spin-off is an elegant anomaly in the streamer’s line-up.
By Zoë Huxford
Penny Mordaunt’s suffering should serve as a national call to arms.
By Zoë Huxford
Also featuring The Manifesto House by Owen Hopkins and Water in the Desert, Fire in the Night by Gethan Dick.
By Michael Prodger, Zoë Huxford, Zuzanna Lachendro and George Monaghan